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    Apr. '12

    nprmusic: Growing up in suburban Connecticut, I’d be sitting in my suburban bedroom listening to The Man Machine or Trans Europe Express and imagining this world that was thousands of miles away and involved erudite Teutonic Germans making tea and playing around with analog synthesizers and, you know, discussing Schopenhauer or maybe, like, taking a train with Iggy Pop and David Bowie and going out dancing all night in Berlin ‘til seven o’clock in the morning. — Moby and other electronic music producers reflect on the influence of Kraftwerk during a week of concerts at MoMA’s Marron Atrium.

    nprmusic:

    Growing up in suburban Connecticut, I’d be sitting in my suburban bedroom listening to The Man Machine or Trans Europe Express and imagining this world that was thousands of miles away and involved erudite Teutonic Germans making tea and playing around with analog synthesizers and, you know, discussing Schopenhauer or maybe, like, taking a train with Iggy Pop and David Bowie and going out dancing all night in Berlin ‘til seven o’clock in the morning.

    — Moby and other electronic music producers reflect on the influence of Kraftwerk during a week of concerts at MoMA’s Marron Atrium.

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